Career
In 1958, he changed his middle name to Drew, although he had previously been credited in past works as Blyth. This was followed by a brief resurgence in Italian movies, as he appeared in several leading roles. He also appeared several times in the TV series Gunsmoke However, Barrymore's social behavior obstructed any professional progress. In the 1960s, he was occasionally incarcerated for drug use, public drunkenness, and spousal abuse.
He notably guest starred in other memorable episodes of classic TV Westerns Rawhide – "Incident of The Haunted Hills" – playing a half-Native half-White outcast and Wagon Train – "The Rutledge Monroe Story" – playing a "too cheerful" character who spreads death wherever he goes and turns out to be a figure from Major Adams' (Ward Bond) military past.
In 1966, Barrymore accepted a major guest role as Lazarus in the Star Trek episode "The Alternative Factor". However, he failed to show up (and was ultimately replaced at the last minute by actor Robert Brown), resulting in a SAG suspension of six months. He did appear as Stacey Daggart in the 1966–67 NBC series The Road West, starring Barry Sullivan.
Read more about this topic: John Drew Barrymore
Famous quotes containing the word career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)