John Crowne - Works

Works

  • The History of Charles the Eighth of France, or The Invasion of Naples by the French (1672) was dedicated to Rochester. In Timon, generally supposed to have been written by the earl, a line from this piece--"whilst sporting waves smil'd on the rising sun "--was held up to ridicule
  • The Country Wit: A Comedy (acted 1675, pr. 1693), derived in part from Molière's Le Sicilien, ou l'Amour peintre, is remembered for the leading character, Sir Mannerly Shallow
  • The Ambitious Statesman, or The Loyal Favourite (1679), one of the most extravagant of his heroic efforts, deals with the history of Bernard d'Armagnac, Constable of France, after the battle of Agincourt
  • Thyestes, A Tragedy (1681), spares none of the horrors of the Senecan tragedy, although an incongruous love story is interpolated
  • The Misery of Civil War (1681), adapted from William Shakespeare's Henry VI, Part 2 and Henry VI, Part 3
  • City Politics (1683)
  • Sir Courtly Nice, or It Cannot Be (1685), a comedy
  • Darius, King of Persia (1688), a tragedy
  • Regulus (acted 1692, pr. 1694)*The English Frier; or The Town Sparks (acted 1689, pr. 1690), perhaps suggested by Molière's Tartuffe, ridicules the court Catholics, and in Father Finical caricatures Father Edward Petre.
  • The Married Beau; or The Curious Impertinent (1694), is based on the Curioso Impertinente in Don Quixote.
  • Caligula (1698)

He also produced a version of Racine's Andromaque, and an unsuccessful comedy, Justice Busy.

See The Dramatic Works of John Crowne (4 vols., 1873), edited by James Maidment and W. H. Logan for the Dramatists of the Restoration.

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    I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
    George Bernard Shaw (1856–1950)

    We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.
    —D.W. (David Wark)

    The family that perseveres in good works will surely have an abundance of blessings.
    Chinese proverb.