Influences
During his long career there were several major changes in architectural style. His early work is a mixture of the Palladian and the Rococo. He then sought a purer Antique Roman style with occasional French influences before adapting the currently fashionable style associated with Robert Adam. At the end of his life he returned to the bolder Palladian style of his youth but with detail that looked forward to 19th-century usage.
Carr's work was influenced by the books of Sebastiano Serlio and Andrea Palladio. He subscribed to many architectural pattern books, including those of his friend George Richardson, and also contemporary publications by Robert Morris and William Chambers.
Read more about this topic: John Carr (architect)
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“Leadership does not always wear the harness of compromise. Once and again one of those great influences which we call a Cause arises in the midst of a nation. Men of strenuous minds and high ideals come forward.... The attacks they sustain are more cruel than the collision of arms.... Friends desert and despise them.... They stand alone and oftentimes are made bitter by their isolation.... They are doing nothing less than defy public opinion, and shall they convert it by blows. Yes.”
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“The first in time and the first in importance of the influences upon the mind is that of nature. Every day, the sun; and after sunset, night and her stars. Ever the winds blow; ever the grass grows.”
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“Without looking, then, to those extraordinary social influences which are now acting in precisely this direction, but only at what is inevitably doing around us, I think we must regard the land as a commanding and increasing power on the citizen, the sanative and Americanizing influence, which promises to disclose new virtues for ages to come.”
—Ralph Waldo Emerson (1803–1882)