Musical Style and Influences
Artists that Elliot Martin listened to extensively—and was influenced by—while writing Amplify include Sigur Rós, Batch, Toumani Diabate, Sly and Robbie, Radiohead, Talib Kweli, Aswad, Funkadelic, King Tubby, Roots Manuva, Masaru Sato and Midnite (whose lead singer, Vaughn Benjamin, lends a vocal to the end of “Speak Of The Devil”). Certainly not the typical play list for a reggae band, but the band’s deep reggae roots are not hard to find amongst all of the other influences.
“I think that the strongest reggae was coming out of the UK in the 70's and early 80's,” Elliot explains. “It was the best produced, had the most complex songwriting; it’s the most progressive reggae that's been made. Steel Pulse, Aswad, Reggae Regular, Misty in Roots, Mikey Dread, Dennis Bovell and Linton Kwesi Johnson were doing groundbreaking stuff. I want to pick up where those artists left off. Of course, we don't come close to what those artists did, but I think that's where the idea comes from—that reggae can take other forms. I guess I'm just saying that I see our music as progressive reggae.” (Interview 2008).
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“However diligent she may be, however dedicated, no mother can escape the larger influences of culture, biology, fate . . . until we can actually live in a society where mothers and children genuinely matter, ours is an essentially powerless responsibility. Mothers carry out most of the work orders, but most of the rules governing our lives are shaped by outside influences.”
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