Works
Aside from a lost sacred opera, a fragment of a cantata and two concerted masses, all minor works, Buttstett's surviving output consists exclusively of keyboard music, which he apparently composed in great numbers. In the only surviving collection, Musicalische Clavier-Kunst und Vorraths-Kammer of 1713, he stated that he had more than a thousand pieces available in manuscript, such as fughettas, fantasias, large fugues and ricercars, capriccios, preludes and so on; but so far the said collection, two marches included in Ut, mi, sol.. and several dozen chorale preludes are the only extant keyboard works by him. Predictably, most pieces show the influence of Pachelbel; however, numerous signs indicate that Buttstett was more than familiar with the north German organ school - both his free (preludes, fantasias) and strict (fugues, ricercars) compositions may feature long virtuosic passages quite unlike Pachelbel's more relaxed writing, but very akin to Dieterich Buxtehude and Nicholas Bruhns. Particularly interesting are the Prelude & Capriccio in D minor of the Musicalische Clavier-Kunst: the prelude begins with a long single-voice monophonic passage filled with pauses, single note exclamations and virtuosic figures, and the Capriccio is fugal, building on a similarly complex subject written out in 32nd- and 16th-notes (and related to the prelude):
Musicalische Clavier-Kunst also contains a few dance suites, with obvious French influences and somewhat different from the typical German suite of the time.
A particularly interesting fugue by Buttstett is found in the so-called Andreas Bach manuscript. It features an extreme example of a repercussion subject, which includes a leap of a diminished 7th:
Repercussion is also used throughout the fugue, sometimes applied to full chords in both hands.
Read more about this topic: Johann Heinrich Buttstett
Famous quotes containing the word works:
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“We ourselves are Jews by birth and not Gentile sinners; yet we know that a person is justified not by the works of the law but through faith in Jesus Christ. And we have come to believe in Christ Jesus, so that we might be justified by faith in Christ, and not by doing the works of the law, because no one will be justified by the works of the law.”
—Bible: New Testament, Galatians 2:15-16.
“In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
—Samuel Richardson (1689–1761)