Intercultural Musical Activities
Cohen's interest in cross-cultural and intercultural musical encounters have led to projects exploring early African and Amerindian contributions to New World music ("Nueva España", cited above), and to several endeavors with Middle Eastern/Near Eastern artists.
As early as 1982, Joel and the Boston Camerata had developed a program called "The Sacred Bridge," exploring Jewish and Christian interactions during the Middle Ages. In 1988 Erato Disques decided to make a recording of this program. Still in demand after more than two decades, the recording has recently been reissued on Warner Classics.
The "Sacred Bridge" program continues to tour internationally, most recently (March 2010) in Montpellier, France. Since its inception it has undergone considerable development, and now includes an important Arabic/Muslim component. Recent performances have been undertaken with the U.S.- based Sharq Arabic Music Ensemble
In 1997 Joel Cohen met the eminent Moroccan musician Mohammed Briouel for the first time. Their encounter gave birth to a major production, a selection of the thirteenth century Cantigas of King Alfonso el Sabio with European and Moroccan musicians collaborating. The recording, made in Fez, Morocco, was signed "Camerata Mediterranea," and included the participation of the Abdelkrim Rais orchestra of Fez, directed by Mr. Briouel.
The Cantigas recording won the coveted Edison Prize in 2000, and has toured extensively in the United States, Morocco, Germany, the Netherlands, and France.
"A Mediterranean Christmas", with the Boston Camerata and the Sharq Ensemble, is Cohen's most recent production exploring shared roots and musical practices. Recorded in 2005 for Warner Classics, and enthusiastically greeted by the musical press, the production has also toured live in the United States and France.
In recent seasons Joel Cohen has also untertaken collaborations with Dünya, a Turkish music ensemble, and its leader, Mehmet Sanlikol. With Camerata Mediterranea, he produced a colloquium in early summer 2009 around the subject of cross-cultural Mediterranean musical interactions, in the French village of Saint-Guilhem-le-Désert.
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