Career
He first grew to fame as "Guido the Killer Pimp" in Risky Business, and continued to rise in 1985 when he appeared as the villainous Francis Fratelli in teen classic The Goonies. He gained fame amongst a new generation as Cypher in the 1999 landmark sci-fi film The Matrix, and won an Emmy as Ralph Cifaretto in HBO's The Sopranos. Pantoliano is also known for his role as Eddie Moscone, the bail bondsman, in the Robert De Niro comedy Midnight Run, as double-crossed mafioso Caesar in Bound, as John "Teddy" Gammell in Memento, and as investigative journalist Ben Urich in Mark Steven Johnson's 2003 Daredevil adaptation. He also played Deputy Marshal Cosmo Renfro in The Fugitive along with Tommy Lee Jones and reprised the role in the sequel U.S. Marshals. He is known for his portrayals of criminals, criminal investigators, detectives, and forensic specialists with a wisecracking touch.
In 2003, Pantoliano replaced Stanley Tucci in the Broadway play Frankie and Johnny in the Clair de Lune. That same year he won the Emmy Award for Outstanding Supporting Actor in a Drama Series for The Sopranos.
In 2012, Joe Pantoliano stars as the eccentric pawn broker Oswald Oswald in the film adaptation of Wendy Mass’s popular children’s book Jeremy Fink and the Meaning of Life, written and directed by Tamar Halpern.
When not acting, Pantoliano also writes. He's the author of two memoirs: Who’s Sorry Now: The True Story of a Stand-Up Guy and Asylum: Hollywood Tales From My Great Depression: Brain Dis-Ease, Recovery and Being My Mother’s Son. In the latter, he writes about his addictions to alcohol, food, sex, Vicodin and Percocet, before being diagnosed with clinical depression .
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Famous quotes containing the word career:
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)