Murder
On 9 August 1967, Kenneth Halliwell bludgeoned 34-year-old Orton to death at his home in Islington, London, with nine hammer blows to the head, and then committed suicide with an overdose of 22 Nembutal tablets washed down with the juice from canned grapefruit. Investigators determined that Orton died first, because Halliwell's body was still warm.
The 22 November 1970 edition of The Sunday Times reported that on 5 August 1967, four days before the murder, Orton went to the Chelsea Potter pub in the King's Road. He met friend Peter Nolan, who later gave evidence at the inquest that Orton told him that he had another boyfriend and wanted to end his relationship with Halliwell, but did not know how to go about it.
The last person to speak to Halliwell was his doctor, who arranged for a psychiatrist to see him the following morning. He spoke to Halliwell three times on the telephone. The last call was at 10 o'clock. Halliwell took the psychiatrist's address and said, "Don't worry, I'm feeling better now. I'll go and see the doctor tomorrow morning."
Halliwell had felt increasingly threatened and isolated by Orton's success, and had come to rely on anti-depressants and barbiturates. The bodies were discovered the following morning when a chauffeur arrived to take Orton to a meeting with director Richard Lester to discuss filming options on Up Against It.
Halliwell left a suicide note, informing police that all would be explained if they read Orton's diaries, "especially the latter part". The diaries have since been published.
Orton was cremated at the Golders Green Crematorium, his maroon cloth-draped coffin being brought into the west chapel to a recording of The Beatles song "A Day in the Life". Harold Pinter read the eulogy, concluding with "He was a bloody marvellous writer." According to Dennis Dewsnap's memoir, What's Sex Got To Do With It (The Syden Press, 2004), Orton and Halliwell had their ashes mixed and were buried together. Dewsnap writes about Orton's agent Peggy Ramsay: "...At the scattering of Joe's and Kenneth's ashes, his sister took a handful from both urns and said, 'A little bit of Joe, and a little bit of Kenneth. I think perhaps a little bit more of our Joe, and then some more of Kenneth.' At which Peggy snapped, 'Come on, dearie, it's only a gesture, not a recipe,' a line surely worthy of Joe himself, though indicative of the contempt in which Ramsey held the Orton family. She described them as simply "the little people in Leicester", leaving a cold, nondescript note and bouquet at the funeral on their behalf.
Orton's legacy stands to live on in his hometown, Leicester; the development of the "cultural quarter" of the city, a former industrial area, continues apace and the new Theatre, Curve, the central development in the area, has a new pedestrian concourse outside the theatre's main entrance named "Orton Square." Curve officially opened 4 December 2008.
Read more about this topic: Joe Orton
Famous quotes containing the word murder:
“I cannot beat off
Invincible modes of the sea, hearing:
Be a man my son by God.
He turned again
To the purring jet yellowing the murder story,
Deaf to the pathos circling in the air.”
—Allen Tate (18991979)
“If we Americans are to survive it will have to be because we choose and elect and defend to be first of all Americans; to present to the world one homogeneous and unbroken front, whether of white Americans or black ones or purple or blue or green.... If we in America have reached that point in our desperate culture when we must murder children, no matter for what reason or what color, we dont deserve to survive, and probably wont.”
—William Faulkner (18971962)
“O blissful God, that art so just and true,
Lo, how that thou bewrayest murder alway!
Murder will out, that see we day by day.
Murder is so wlatsom and abominable”
—Geoffrey Chaucer (1340?1400)