Television
Although to many she is best known for Demi's Birthday Suit, art aficionados consider her most famous work Disappearing Model. The work appeared on Ripley's Believe it or Not!. In the trompe l'oeil body painting, the face and body of the model are almost indistinguishable from the red and blue and yellow flowers of the wallpaper in the background. Her first body paintings was also memorable as she painted a moko on a female Ford Modeling Agency fashion model named Jana, which is a tabooed employment of a traditionally male ritual face mask. An example from Gair's website of her ability to trick the eye into seeing a three dimensional subject blend with a two-dimensional background is seen in a photograph of a pregnant Elle Macpherson. Other examples of this technique include the cover of her first book (pictured below) and images from within this book.
She participated in Germany's Next Topmodel by painting and photographing the final four contestants in leopard prints. During the episode, which was Cycle 1 episode 6, she handled two models per day working for six to seven hours with each. The works covered the shoulders, legs, breasts and stomach and included long hair extensions. The episode resulted in work that was so successful that none of the contestants were eliminated.
Read more about this topic: Joanne Gair
Famous quotes containing the word television:
“Photographs may be more memorable than moving images because they are a neat slice of time, not a flow. Television is a stream of underselected images, each of which cancels its predecessor. Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again.”
—Susan Sontag (b. 1933)
“They [parents] can help the children work out schedules for homework, play, and television that minimize the conflicts involved in what to do first. They can offer moral support and encouragement to persist, to try again, to struggle for understanding and mastery. And they can share a child’s pleasure in mastery and accomplishment. But they must not do the job for the children.”
—Dorothy H. Cohen (20th century)
“The television critic, whatever his pretensions, does not labour in the same vineyard as those he criticizes; his grapes are all sour.”
—Frederic Raphael (b. 1931)