Style
Newsom's earlier work was strongly influenced by polyrhythms. Her harp teacher, Diana Stork, taught her the basic pattern of four beats against three which creates an interlocking, shifting pattern that can be heard on Ys, particularly in the middle section of "Sawdust & Diamonds." After Ys, Newsom said she had lost interest in polyrhythms. They "stopped being fascinating to me and started feeling wanky."
The media have sometimes labeled her as one of the most prominent members of the modern psych folk movement. Newsom, however, claims no ties to any particular music scene. Her songwriting incorporates elements of Appalachian music and avant-garde modernism.
Newsom's vocal style (in the November 2006 issue of The Wire she described her voice as "untrainable") has shadings of folk and Appalachian shaped-note timbres. Newsom has, however, expressed disappointment at comments that her singing is "child-like."
Critics noticed a change in Newsom's voice on her latest album. In the spring of 2009, Newsom developed vocal cord nodules and could not speak or sing for two months. The recovery from the nodules and further "vocal modifications" changed her voice.
Read more about this topic: Joanna Newsom
Famous quotes containing the word style:
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
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“Oh, never mind the fashion. When one has a style of one’s own, it is always twenty times better.”
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“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)