Further Reading
This text has studied one aspect of Jo Spence’s work. For a more detailed coverage of her life, work and writings please refer to:
Putting Myself in the Picture: a Political, Personal and Photographic Autobiography. Frances Borzello, editor. Camden Press. 1986. ISBN 0-948491-14-0
Cultural Sniping: The Art of Transgression. Jo Stanley, editor. Routledge.1995. ISBN 0-415-08883-6
The Photograph. Graham Clarke. Oxford University Press. pp. 139–140 (from the series The Oxford History of Art), 1997 ISBN 0-19-284200-5, ISBN 978-0-19-284200-8
Seizing the Light. Robert Hirsch. McGraw Hill. 1999. ISBN 978-0-697-14361-7
Photography View: Turning the Lens Inward. Charles Hagen, The New York Times, Sept.22, 1991 (Arts)
"Nature Versus Culture" in The Nude: A New Perspective, pp. 91–115. Gill Saunders. Cambridge: Harper & Row, 1989 ISBN 0-06-430189-3
Read more about this topic: Jo Spence
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—David Webb Peoples, U.S. screenwriter, and Ridley Scott. Rick Deckard, Blade Runner, reading the newspaperhis opening lines (1982)
“After all, what is reading but a vice, like drink or venery or any other form of excessive self-indulgence? One reads to tickle and amuse ones mind; one reads, above all, to prevent oneself thinking.”
—Aldous Huxley (18941963)