Music
| Jo Jeeta Wohi Sikandar | ||||
|---|---|---|---|---|
| Studio album by Jatin-Lalit | ||||
| Released | 1992 | |||
| Genre | Feature film soundtrack | |||
| Length | 35:01 | |||
| Label | Saregama | |||
| Jatin-Lalit chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Planet Bollywood | |
The music for the movie composed by Jatin Lalit and lyrics were penned by Majrooh Sultanpuri. It was nominated for Best Music at the Filmfare Awards 1993. The soundtrack, their second collaboration, helped to launch their career. "Pehla Nasha" was the second film song in Indian cinema (the first one being "Sundari Neeyum" from Michael Madana Kama Rajan starring Kamal Haasan) to be shot in complete slow motion and the trend caught up subsequently with many films and music videos. Pehla Nasha was the most popular track of the album become a cult song. Other popular tracks were Humse Hai Sara Jahan, Rooth Ke Humse and Aare Yaaro Mere Pyaro.
| No. | Title | Artist(s) | Length | |
|---|---|---|---|---|
| 1. | "Yahaan Ke Hum Sikander" | Udit Narayan, Sadhana Sargam, Jatin-Lalit | 5:29 | |
| 2. | "Pehla Nasha" | Udit Narayan, Sadhana Sargam | 4:51 | |
| 3. | "Arre Yaaro Mere Pyaro" | Udit Narayan, Vijayeta Pandit | 5:16 | |
| 4. | "Humse Hai Sara Jahan" | Jatin Pandit, Sadhana Sargam | 4:13 | |
| 5. | "Naam Hai Mera Fonseca" | Amit Kumar, Alka Yagnik | 4:41 | |
| 6. | "Rooth Ke Humse" | Jatin Pandit | 5:15 | |
| 7. | "Shehar Ki Pariyon" | Udit Narayan, Sadhana Sargam | 5:16 |
Read more about this topic: Jo Jeeta Wohi Sikandar
Famous quotes containing the word music:
“For do but note a wild and wanton herd
Or race of youthful and unhandled colts
Fetching mad bounds, bellowing and neighing loud,
Which is the hot condition of their blood;
If they but hear perchance a trumpet sound,
Or any air of music touch their ears,
You shall perceive them make a mutual stand,
Their savage eyes turned to a modest gaze
By the sweet power of music.”
—William Shake{peare (1564–1616)
“The music in my heart I bore,
Long after it was heard no more.”
—William Wordsworth (1770–1850)