Music
| Jo Jeeta Wohi Sikandar | ||||
|---|---|---|---|---|
| Studio album by Jatin-Lalit | ||||
| Released | 1992 | |||
| Genre | Feature film soundtrack | |||
| Length | 35:01 | |||
| Label | Saregama | |||
| Jatin-Lalit chronology | ||||
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| Professional ratings | |
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| Source | Rating |
| Planet Bollywood | |
The music for the movie composed by Jatin Lalit and lyrics were penned by Majrooh Sultanpuri. It was nominated for Best Music at the Filmfare Awards 1993. The soundtrack, their second collaboration, helped to launch their career. "Pehla Nasha" was the second film song in Indian cinema (the first one being "Sundari Neeyum" from Michael Madana Kama Rajan starring Kamal Haasan) to be shot in complete slow motion and the trend caught up subsequently with many films and music videos. Pehla Nasha was the most popular track of the album become a cult song. Other popular tracks were Humse Hai Sara Jahan, Rooth Ke Humse and Aare Yaaro Mere Pyaro.
| No. | Title | Artist(s) | Length | |
|---|---|---|---|---|
| 1. | "Yahaan Ke Hum Sikander" | Udit Narayan, Sadhana Sargam, Jatin-Lalit | 5:29 | |
| 2. | "Pehla Nasha" | Udit Narayan, Sadhana Sargam | 4:51 | |
| 3. | "Arre Yaaro Mere Pyaro" | Udit Narayan, Vijayeta Pandit | 5:16 | |
| 4. | "Humse Hai Sara Jahan" | Jatin Pandit, Sadhana Sargam | 4:13 | |
| 5. | "Naam Hai Mera Fonseca" | Amit Kumar, Alka Yagnik | 4:41 | |
| 6. | "Rooth Ke Humse" | Jatin Pandit | 5:15 | |
| 7. | "Shehar Ki Pariyon" | Udit Narayan, Sadhana Sargam | 5:16 |
Read more about this topic: Jo Jeeta Wohi Sikandar
Famous quotes containing the word music:
“If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.”
—Henry David Thoreau (1817–1862)
“Who that has heard a strain of music feared then lest he should speak extravagantly any more forever?”
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“The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal chords.”
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