Jin Meyerson - Interpretation

Interpretation

Jin Meyerson’s paintings are schizophrenic semi-abstractions based on throwaway images from magazines and other random pieces of visual culture. Although the use of media imagery is common ground for many contemporary painters, Meyerson’s take on the topic is more manic than most; while artists such as Ulrich Lamsfuss, Johannes Kahrs and Gerhard Richter are more concerned with the faithful – almost obsessive – copy, Meyerson’s takes his source material as a sketch which he can distort, tear apart, rearrange and fill with psychedelic colour. Meyerson does not completely destroy or obscure the images, but by the end of his more-or-less unplanned interventions the painting’s origin is severely disguised. Most of Mayerson’s work displays his fascination with moving images, but for him a moment of speed or activity caught on film is not enough; the addition of swirling bands of striking colour add to the sense of motion to create something that functions beyond the limits of painting and photography, making the viewer ‘feel’ the energy of the image and invoke the spectacle of real life action when the moment itself is long over.