Jin-Roh: The Wolf Brigade - Setting

Setting

For more details on this topic, see Kerberos saga chronicles.

The story is set in a parallel 1950s Japan, in which Germany and not the United States has conquered Japan. It focuses on Kazuki Fuse, a member of the elite Kerberos Panzer Cops, a metropolitan antiterror unit equipped with heavy personal armor ("Protect-Gear"), Stahlhelm helmet enhanced with masks containing breathing and night-vision gear, and German-built MG42 machine guns. Trained to behave like a pack of dogs, hence the "Kerberos" term, Fuse confronts his own humanity when he fails to shoot a young female terrorist; the girl detonates a bomb in front of him, not only killing herself but damaging the capital's infrastructure and the Kerberos Corps' relations with the other police authorities. Fuse strikes up an ill-fated romance with Kei – an ex-terrorist posing as the sister of the deceased – whom he meets as she mourns her "sister's" death.

Read more about this topic:  Jin-Roh: The Wolf Brigade

Famous quotes containing the word setting:

    “We believe that Carlyle has, after all, more readers, and is better known to-day for this very originality of style, and that posterity will have reason to thank him for emancipating the language, in some measure, from the fetters which a merely conservative, aimless, and pedantic literary class had imposed upon it, and setting an example of greater freedom and naturalness.”
    —Henry David Thoreau (1817–1862)

    “The setting sun is reflected from the windows of the alms-house as brightly as from the rich man’s abode; the snow melts before its door as early in the spring. I do not see but a quiet mind may live as contentedly there, and have as cheering thoughts, as in a palace.”
    —Henry David Thoreau (1817–1862)

    “The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
    —George Steiner (b. 1929)