Plot
A Russian defector lands a jet fighter aircraft on an American airstrip. The base commander, Air Force Colonel Jim Shannon (John Wayne) is surprised to find that the pilot is an attractive woman, Lieutenant Anna Marladovna (Janet Leigh). When she asks for asylum, but refuses to disclose any military information, Shannon is assigned to seduce her. They fall in love. Worried about the possibility of deportation, Jim marries her without permission.
When they return from their unauthorized honeymoon, Major General Black (Jay C. Flippen) takes Jim aside and informs him that his new wife is a spy, sent to relay information back to the USSR. The Americans decide to play along, and escalate the situation.
Shannon goes home to tell Anna that she is to be imprisoned for years, then deported when she is finally released. To save her, they hatch an escape plan, steal an aircraft and fly to Soviet airspace. Their arrival is not shown, but Anna is criticized for allowing Shannon to crash the more advanced American aircraft when Russian fighters closed in, rather than fighting back. She says that she considered shooting him, then decided that he would be more valuable for his knowledge than the plane would have been.
While they are there, Shannon discovers that Anna is pregnant. Shannon is then assigned to help test new aircraft, a pretext for drugging him and pumping him for information about American aircraft. He learns much about Soviet capabilities from the questions he is asked, while only giving up outdated information in return. When Anna discovers this, she initially plans to turn him in, learns he is to be drugged into permanent insensibility, then lets her personal feelings override her sense of duty. She finds herself under suspicion, disposes of the agent sent to keep an eye on her, steals an aircraft and escapes back to the West with Shannon.
Read more about this topic: Jet Pilot (film)
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)