Jessye Norman - Opera Roles

Opera Roles

These are notable opera roles that Norman has performed.

  • Aïda, Aïda (Verdi)
  • Alceste, Alceste (Gluck)
  • Ariadne, Ariadne auf Naxos (Richard Strauss)
  • Armida, Armida (Haydn)
  • Carmen, Carmen (Bizet)
  • Cassandre, Les Troyens (Berlioz)
  • Countess Almaviva, The Marriage of Figaro (Mozart)
  • Dido, Dido and Aeneas (Purcell)
  • Donna Elvira, Don Giovanni (Mozart)
  • Elisabeth, Tannhäuser (Wagner)
  • Elle, La voix humaine (Poulenc)
  • Elsa, Lohengrin (Wagner)
  • Emilia Marty, The Makropulos Affair (Janáček)
  • Giulietta, The Tales of Hoffman (Offenbach)
  • Hélène, La belle Hélène (Offenbach)
  • Idamante, Idomeneo (Mozart)
  • Isolde, Tristan und Isolde (Wagner) (Act II in Concert)
  • Jocasta, Oedipus rex (Stravinsky)
  • Judith, Bluebeard's Castle (Bartók)
  • Kundry, Parsifal (Wagner)
  • Giulietta di Kelbar, Un giorno di regno (Verdi)
  • Leonore, Fidelio (Beethoven)
  • Madame Lidoine, Dialogues of the Carmelites (Poulenc)
  • Marguerite, La damnation de Faust (Berlioz)
  • Medora, Il Corsaro (Verdi)
  • Pénélope, Pénélope (Fauré)
  • Phedra, Hippolyte et Aricie (Rameau)
  • Rosina, La vera costanza (Haydn)
  • Salome, Salome (Richard Strauss)
  • Salome, Hérodiade (Massenet)
  • Santuzza, Cavalleria rusticana (Pietro Mascagni)
  • Sélica, L'Africaine (Meyerbeer)
  • Sieglinde, Die Walküre (Wagner)
  • Third Norn, Götterdämmerung (Wagner)
  • Woman, Erwartung (Schoenberg)

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Famous quotes containing the words opera and/or roles:

    “Are you suggesting that we reopen the Opera with a murder as an added attraction?”
    —Eric Taylor, Leroux, and Arthur Lubin. Lecours (Fritz Feld)

    “There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.”
    —Ellen Lewis (20th century)