Novels
By Robert B. Parker:
- Night Passage (September 1997) ISBN 978-0-399-14304-5
- Trouble in Paradise (September 1998) ISBN 978-0-399-14433-2
- Death in Paradise (October 2001) ISBN 978-0-399-14779-1
- Back Story (March 2003) ISBN 978-0-399-14977-1 – a Spenser novel
- Stone Cold (October 2003) ISBN 978-0-399-15087-6
- Sea Change (February 2006) ISBN 978-0-399-15267-2 – mentions Spenser
- Blue Screen (June 2006) ISBN 978-0-399-15351-8 – a Sunny Randall novel
- High Profile (February 2007) ISBN 978-0-399-15404-1
- Spare Change (June 2007) ISBN 978-0-399-15425-6 – a Sunny Randall novel
- Stranger In Paradise (February 2008) ISBN 978-0-399-15460-7
- Night and Day (February 2009) ISBN 978-0-399-15541-3
- Split Image (February 2010) ISBN 978-0-399-15623-6
By Michael Brandman:
- Robert B. Parker's Killing the Blues (September 2011) ISBN 978-0-399-15784-4
- Robert B. Parker's Fool Me Twice (September 2012) ISBN 978-0-399-15949-7
Read more about this topic: Jesse Stone (character)
Famous quotes containing the word novels:
“Fathers and Sons is not only the best of Turgenevs novels, it is one of the most brilliant novels of the nineteenth century. Turgenev managed to do what he intended to do, to create a male character, a young Russian, who would affirm histhat charactersabsence of introspection and at the same time would not be a journalists dummy of the socialistic type.”
—Vladimir Nabokov (18991977)
“Society is the stage on which manners are shown; novels are the literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily.”
—Ralph Waldo Emerson (18031882)
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)