Reception and Impact
Jesse and Angie are the world's first African American supercouple. This resulted in the pairing being listed in The News & Advance's Timeline of daytime soaps under the title of 1984: Daytime’s first black supercouple, All My Children’s Angie and Jesse, are introduced.
The couple's impact on viewers has often been documented in various other versions. Motivational speaker and author Angela D. Lewis recalled her experience watching the Jesse and Angie love story while attending the University of South Carolina in the 1980s. Students would crowd into the Russell House from 1-2 p.m. each weekday to watch Jesse and Angie. Lewis stated, "We were always part of a huge crowd in the student center — not only girls, but plenty of guys, too! — watching All My Children to see Jesse and Angie. The student union was flooded. Many of us would even arrange our class schedules around the soap!"
Darnell Williams and Kim Delaney shared a noticeable amount of chemistry in their respective roles as Jesse and Jenny. However, it is widely believed the producers of All My Children shied away from pairing them as a romantic couple, as a Black male/White female relationship was still considered to be a taboo on daytime television in the early 1980s.
Read more about this topic: Jesse Hubbard And Angie Baxter
Famous quotes containing the words reception and/or impact:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)