Production History
Year | Band | Album | Details |
---|---|---|---|
1993 | Man | "Chocolate Rocket" | |
1994 | Green Day | Dookie | Mixed |
1995 | The Muffs | Blonder and Blonder | Engineered and mixed |
Pennywise | About Time | ||
Rancid | ...And Out Come the Wolves | ||
Jawbreaker | Dear You | Mixed | |
Green Day | Insomniac | Mixed | |
1996 | Fastball | Make Your Mama Proud | |
Daredevils | "Hate You" | ||
Sukia | "Contacto Especial con el Tercer Sexo " | ||
The Presidents of the United States of America | II | ||
1997 | Smoking Popes | Destination Failure | |
Coward | Self-Titled | ||
1998 | Superdrag | Head Trip in Every Key | |
Rancid | Life Won't Wait | Mixed | |
The Vandals | Hitler Bad, Vandals Good | Mixed | |
The Living End | The Living End | Mixed | |
Liars Inc. | Superjaded | Mixed | |
1999 | Blink-182 | Enema of the State | |
Madness | Universal Madness | Mixed | |
Fenix*TX | Fenix*TX | ||
2000 | Blink-182 | The Mark, Tom, and Travis Show (The Enema Strikes Back!) | |
MxPx | The Ever Passing Moment' | ||
Marvelous 3 | ReadySexGo! | ||
2001 | Fenix*TX | Lechuza | |
Sum 41 | All Killer No Filler | ||
Alkaline Trio | From Here to Infirmary | Mixed | |
Blink-182 | Take Off Your Pants and Jacket | ||
Green Day | International Superhits | Co-produced | |
2002 | Bad Religion | The Process of Belief | Mixed |
Box Car Racer | Box Car Racer | ||
MxPx | Ten Years and Running | ||
Sparta | Wiretap Scars | ||
2003 | AFI | Sing the Sorrow | |
Blink-182 | Blink-182 (album) | ||
2004 | Morrissey | You Are the Quarry | |
Marjorie Fair | Self Help Serenade | ||
The Vandals | Hollywood Potato Chip | Mixed | |
2005 | Eisley | Room Noises | Mixed |
The Offspring | Greatest Hits | ||
Alkaline Trio | Crimson | ||
Blink-182 | Greatest Hits | ||
2006 | AFI | Decemberunderground | |
+44 | When Your Heart Stops Beating | Co-produced and mixed | |
2007 | Tiger Army | Music from Regions Beyond | |
2008 | Morrissey | Greatest Hits | |
2009 | Morrissey | Years of Refusal |
Read more about this topic: Jerry Finn
Famous quotes containing the words production and/or history:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)
“Its not the sentiments of men which make history but their actions.”
—Norman Mailer (b. 1923)
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