Theatre
Jenny Seagrove's theatre work includes the title role in Jane Eyre at Chichester Festival Theatre (1986); Ilona in The Guardsman at Theatr Clwyd (1992); and Bett in King Lear in New York, again at Chichester (1992).
She played opposite Tom Conti in Present Laughter at the Globe Theatre (1993); Annie Sullivan in The Miracle Worker at the Comedy Theatre (1994); Dead Guilty with Hayley Mills at the Apollo Theatre (1995); Hurlyburly for the Peter Hall Company when the production transferred from the Old Vic to the Queen's Theatre (1997); co-starred with Martin Shaw in the Parisian thriller Vertigo (Theatre Royal Windsor October 1998) and then with Anthony Andrews (also Windsor,1998).
In 2000 she appeared in Brief Encounter at the Lyric Theatre; followed by Neil Simon's The Female Odd Couple at the Apollo (2001). Again at the Lyric Theatre in 2002 she played the title role in Somerset Maugham's The Constant Wife, followed by a revival of David Hare's The Secret Rapture in 2003, and The Night of the Iguana two years later in 2005.
Coming to the West End from a UK tour, she played Leslie Crosbie in Maugham's The Letter at Wyndham's Theatre (2007), again co-starring with Anthony Andrews.
In December 2007, she played Marion Brewster-Wright in the Garrick Theatre revival of Alan Ayckbourn's dark, three-act comedy Absurd Person Singular.
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Famous quotes containing the word theatre:
“The theatre is supremely fitted to say: “Behold! These things are.” Yet most dramatists employ it to say: “This moral truth can be learned from beholding this action.””
—Thornton Wilder (1897–1975)
“Make them laugh, make them cry, and back to laughter. What do people go to the theatre for? An emotional exercise.... I am a servant of the people. I have never forgotten that.”
—Mary Pickford (1893–1979)
“For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.”
—Sarah Bernhardt (1844–1923)