Critical Reception
- Kelefa Sanneh (The New York Times) gave the tour a mixed review. Although he praised Anthony's performance, he had doubts about Lopez stating, "But no one expects Ms. Lopez to morph into a lung-busting powerhouse, and in some ways her shaky voice may add to her appeal: on the stage of an arena (and perhaps nowhere else), the A-list star is once more an underdog, getting by with a little help from her band and her husband and a few thousand friends".
- Justin Smith (Pegasus News) described the Anthony's performance as a throwback to the 1970s Tropicana Club. He further stated: " has a voice so powerful and seductive, it is no surprise that every woman in the audience melted the second the opening note was sung. The band pumped out the salsa clave just like it would have been at the Tropicana in New York in the 1970s, and I desperately wanted to get up and dance."
- Jane Stevenson (Jam! Showbiz) praised Anthony's performance but thought less of Lopez's skills remarking: "For Lopez, it's more about coming up with some kick-ass dance moves to distract and divert from her weak voice. JLo can usually shake her ample behind with the best of them given her Fly Girl history on In Living Color but with an apparent bun in the oven, Lopez's movements were kept to a minimum -- she performed them in short spurts with the exception of Get Right -- and let her dancers take over most of the A-moves."
Read more about this topic: Jennifer Lopez And Marc Anthony En Concierto
Famous quotes containing the words critical and/or reception:
“Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.”
—John Berger (b. 1926)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)