Style
Boam's action film scripts are character-driven and mixed with humor. He told The New York Times that he had no problem writing a contrived plot in service of character interactions. "Plot tries to engage intellectually, but that's not how an audience responds," he said, adding, "I want emotional reaction, not intellectual engagement. An audience wants to be wound up because it enjoys the pop at the end when it's liberated." Writing in Scr(i)pt magazine, Ray Morton said that Boam's scripts "showed a strong feel for genre and story construction as well as a solid aptitude for creating robust, well-developed character, and clever, witty dialogue."
He rarely outlined a script, preferring to finish a story in his head, and then write the draft. Boam said, "I don't have any kind of routine, where I do notes or outlines or character sketches. I just try and live with it in my head, until it's ready to be spat out." He wrote every weekday, from 10:00 am to 6:00 pm, without taking breaks.
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Famous quotes containing the word style:
“We think it is the richest prose style we know of.”
—Henry David Thoreau (1817–1862)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)