After "Harper Valley PTA"
During the late 1960s and into the very early 1970s, Riley ranked among the most popular female vocalists in the country music industry. She had five Grammy Award nominations and four Country Music Association nominations, and performed a duet with Loretta Lynn. She had success on the country charts again, but on a lesser scale.
Other hits following "Harper Valley PTA" include "The Girl Most Likely," "There Never Was A Time," "The Rib," "The Back Side of Dallas," "Country Girl," "Oh Singer," and "Good Enough to Be Your Wife."
Riley became known as much for her sex appeal and beauty as for her music, foreshadowing Shania Twain and other contemporary female vocalists by nearly three decades. At a time when many country queens were keeping a wholesome image by wearing gingham dresses, Riley kept in tune with typical late-60s fashion by donning miniskirts and go-go boots for her stage outfits. Her mod persona opened many doors (and perhaps started a sexual revolution) in country music, but Riley herself was not comfortable with her image, and she eventually abandoned it for a more conservative wardrobe. In the 1993 CBS documentary The Woman of Country, she noted that during the "Harper Valley" period, it was largely her publicist and manager who were responsible for creating and playing up her sexy image (replicating somewhat the look of the protagonist in the song).
Read more about this topic: Jeannie C. Riley
Famous quotes containing the words harper and/or valley:
“We feel properly embarrassed when we are caught doing something that makes us look inept, knuckleheaded, or inappropriate. Maybe the difference is this: we feel embarrassed because we look bad, and we feel shame because we think we are bad. When we are embarrassed, we feel socially foolish. When we are shamed, we feel morally unworthy.”
—Lewis B. Smedes, U.S. psychologist, educator. Shame and Grace: Healing the Shame We Dont Deserve, ch. 2, Harper (1993)
“Ah! I have penetrated to those meadows on the morning of many a first spring day, jumping from hummock to hummock, from willow root to willow root, when the wild river valley and the woods were bathed in so pure and bright a light as would have waked the dead, if they had been slumbering in their graves, as some suppose. There needs no stronger proof of immortality. All things must live in such a light. O Death, where was thy sting? O Grave, where was thy victory, then?”
—Henry David Thoreau (18171862)