Jean-Yves Malmasson - Works

Works

  • Op. 1 : Prelude (1978) for orchestra
  • Op. 2 : Un feu ardent dans un silence noir et froid (1980) for pianoforte
  • Op. 3 : Variations sur "b.a.c.h." (1981) for pianoforte
  • Op. 4 : Symphonie n° 1 "dsch", hommage à Dimitri Chostakovitch (1981-83, rév. 2000) for orchestra
  • Op. 5 : Invocation a la lune (1983) for two ondes martenots, piano and percussion
  • Op. 6 : Trois melodies sur des poemes de Charles Baudelaire (1984) for medium voice and piano
  • Op. 6b : Trois melodies sur des poemes de Charles Baudelaire (1984, arrg. 2001) for medium voice, violoncello and piano
  • Op. 7 : Le chant de Dahut (1985) orchestral tone poen for ondes martenot and orchestra
  • Op. 8 : Trois miniatures burlesques (1988) for string quartet
  • Op.8a : Trois miniatures burlesques (1995) for string orchestra
  • Op. 9 : Quatuor a cordes (1988-91) for string quartet
  • Op. 10 : La lettre a Eloïse (1991) humoristic piece for violin, piano and triangle
  • Op. 11 : Estebaña (1991) for violin, piano and "accessoires pittoresques"
  • Op. 12 : Diptyque (1992) passacaille and scherzo on a theme by a. berg, for violoncello and piano
  • Op. 13 : Metapastiches (1992-93) for orchestra
  • Op. 14 : Concerto grosso (1992-94) for ondes martenot, keyboard percussion quartet and concert band
  • Op. 15 : Hymne aux lumieres (1994) for concert band
  • Op. 16 : Amuse-gueule (1994) for concert band
  • Op. 17 : Trois poemes de Paul Eluard (1996) for baritone and quartet(clar., cor, vl., vlc.)
  • Op. 18 : Figurines' (1996) for brass quintet.
  • Op. 19 : Mare nostrum (1996) passacaille pour orchestre.
  • Op. 20 : 3 pieces for flute and piano (teaching piece)(1997)
  • Op. 21 : 3 pieces for piano (teaching piece)(1997)
  • Op. 22 : Sonatine entomologique for flute, oboe, clarinet, bassoon and percussion (1997)
  • Op. 23 : Corona borealis (1997) for large orchestra
  • Op.24 : Burlesques (1998) suite for string orchestra.
  • Op. 25 : Trois poemes de Charles Baudelaire (1999) for voice and orchestra.
  • Op. 26 : Quatre miniatures burlesques (1999) for piano 4 hands
  • Op. 27 : Symphonie n° 2, for string orchestra (2000)
  • Op. 28 : Memoire du futur, ou cantate pour la paix (2000- ) cantata for soloists, chorus and orchestra on a text by Hervé Miclos act 1 has been completed to date.
  • Op. 29 : 5 aphorismes in memoriam D. D. Chostakovitch', trio n° 1 for violin, violoncello and piano (2001)
  • Op. 30 : Les fleurs du desir (2001) chamber cantata for soprano voice with violin, violoncello and piano
  • Op. 31 : Sinfonietta (2002) for string orchestra, piano and percussion
  • Op. 32 : Sketches a quatre (2002) three easy pieces for string quartet
  • Op. 33 : Aux bien brulants astres d'or (1995-2002) Symphony n° 3 for chorus and orchestra
  • Op. 34a : Album pour Odile (2003) 3 easy pieces for clarinet and piano
  • Op. 34b : Duos pour Odile (2003) 2 easy pieces for two clarinets and piano
  • Op.34c : Album pour Odile (2003, transcription 2005) 3 easy pieces for alto saxophone and piano
  • Op.34d : Duos pour Odile (2003, transcription 2005) 2 easy pieces for 2 alto saxophones piano
  • Op. 35 : De soleil et de vent (2004) for ondes martenot solo
  • Op. 36 : Les exilés, trio n° 2 for violin, violoncello and piano (2004 - 2005), with an actor ad libitum
  • Op. 37 : Trois figurines (2005) récitatif, choral et fugue for organ
  • Op. 38 : Tonton claudio (2006) musical tale for narrator and 14 instruments, to present the instruments to children
  • Op. 39 : Croquis asymetriques (2006) a booklet of 9 violin duets
  • Op. 40 : Cantilene pour francois (2006) for solo cello
  • Op. 41 : Fantaisie sur Les brigands d'Offenbach (2007) for clarinet quartet or band
  • Op. 41b : Fantaisie sur Les brigands d'Offenbach (2007, arr. 2008) for saxophone quartet or band
  • Op. 42 : Mouvement symphonique (2007) for orchestra
  • Op. 43 : Frontispice (2008) for orchestra

Read more about this topic:  Jean-Yves Malmasson

Famous quotes containing the word works:

    “Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
    —bell hooks (b. 1955)

    “All his works might well enough be embraced under the title of one of them, a good specimen brick, “On Heroes, Hero-Worship, and the Heroic in History.” Of this department he is the Chief Professor in the World’s University, and even leaves Plutarch behind.”
    —Henry David Thoreau (1817–1862)

    “I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.”
    —Ralph Waldo Emerson (1803–1882)