Jean-Paul Sartre - Works

Works

Plays, screenplays, novels, and short stories
  • Nausea / La nausée (1938)
  • The Wall / Le mur (1939)
  • Bariona / Bariona, ou le fils du tonnerre (1940)
  • The Flies / Les mouches (1943)
  • No Exit / Huis clos (1944)
  • Typhus, wr. '44, pub. '07; adapted as The Proud and the Beautiful
  • The Age of Reason / L'âge de raison (1945)
  • The Reprieve / Le sursis (1945)
  • The Respectful Prostitute / La putain respectueuse (1946)
  • The Victors / Morts sans sépulture (1946)
  • The Chips Are Down / Les jeux sont faits (1947)
  • In the Mesh / L'engrénage (1948)
  • Dirty Hands / Les mains sales (1948)
  • Troubled Sleep (London ed. (Hamilton) has title: Iron in the soul) / La mort dans l'âme (1949)
  • Intimacy (1949)
  • The Devil and the Good Lord / Le diable et le bon dieu (1951)
  • Kean (1953)
  • Nekrassov (1955)
  • The Condemned of Altona / Les séquestrés d'Altona (1959)
  • Hurricane over Cuba / written and printed in 1961 in Brazil, along with Rubem Braga and Fernando Sabino (1961)
  • The Trojan Women / Les Troyennes (1965)
  • The Freud Scenario / Le scénario Freud (1984)
Philosophic essays
  • Imagination: A Psychological Critique / L'imagination (1936)
  • The Transcendence of the Ego / La transcendance de l'égo (1937)
  • Sketch for a Theory of the Emotions / Esquisse d'une théorie des émotions (1939)
  • The Imaginary / L'imaginaire (1940)
  • Being and Nothingness / L'étre et le néant (1943)
  • Existentialism is a Humanism / L'existentialisme est un humanisme (1946)
  • Search for a Method / Question de méthode (1957)
  • Critique of Dialectical Reason / Critique de la raison dialectique (1960, 1985)
  • Notebooks for an Ethics / Cahiers pour une morale (1983)
  • Truth and Existence / Vérité et existence (1989)
Critical essays
  • Anti-Semite and Jew / Réflexions sur la question juive (1943)
  • Baudelaire (1946)
  • Situations I: Literary Critiques / Critiques littéraires (1947)
  • Situations II: What Is Literature? / Qu'est-ce que la littérature ? (1947)
  • "Black Orpheus" / "Orphée noir" (1948)
  • Situations III (1949)
  • Saint Genet, Actor and Martyr / S.G., comédien et martyr (1952)
  • The Henri Martin Affair / L'affaire Henri Martin (1953)
  • Situations IV: Portraits (1964)
  • Situations V: Colonialism and Neocolonialism (1964)
  • Situations VI: Problems of Marxism, Part 1 (1966)
  • Situations VII: Problems of Marxism, Part 2 (1967)
  • The Family Idiot / L'idiot de la famille (1971–2)
  • Situations VIII: Autour de 1968 (1972)
  • Situations IX: Mélanges (1972)
  • Situations X: Life/Situations: Essays Written and Spoken / Politique et Autobiographie (1976)
Autobiographic
  • Sartre By Himself / Sartre par lui-mème (1959)
  • The Words / Les mots (1964)
  • Witness to My Life & Quiet Moments in a War / Lettres au Castor et à quelques autres (1983)
  • War Diaries: Notebooks from a Phony War / Les carnets de la drole de guerre (1984)

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Famous quotes containing the word works:

    That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.
    Lydia M. Child (1802–1880)

    Piety practised in solitude, like the flower that blooms in the desert, may give its fragrance to the winds of heaven, and delight those unbodied spirits that survey the works of God and the actions of men; but it bestows no assistance upon earthly beings, and however free from taints of impurity, yet wants the sacred splendour of beneficence.
    Samuel Johnson (1709–1784)

    And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.
    Ron Taffel (20th century)