Major Works
- Les Fêtes Chinoises (Paris 1754) (mus. Jean-Philippe Rameau)
- La Fontaine de jouvence (Paris 1754)
- La Toilette de Vénus (Lyon 1757) (mus. François Granet)
- L'Impromptu du sentiment (Lyon 1758)
- La Mort d'Ajax (Lyon 1758) (mus. François Granet)
- Alceste (Stuttgart 1761 - Wien 1767) (mus. Christoph Willibald Gluck)
- La Mort d'Hercule (Stuttgart 1762)
- Psyché et l'Amour (Stuttgart 1762) (mus. Jean-Joseph Rodolphe)
- Jason et Médée (Stuttgart 1763 - Wien 1767 - Paris 1776 e 1780 - London 1781) (mus. Jean-Joseph Rodolphe)
- Hypermnestre (Stuttgart 1764)
- Diane et Endymion (Wien 1770)
- Le Judgement de Pâris (Wien 1771)
- Roger et Bradamante (Wien 1771)
- Agamemnon vengé (Wien 1772)
- Iphigénie en Tauride (Wien 1772) (mus. Christoph Willibald Gluck)
- Thésée (Wien 1772)
- Acis et Galathée (Wien 1773)
- Adèle de Ponthieu (Wien 1773 - London 1782)
- Alexandre et Campaspe de Larisse (Wien 1773)
- Les Horaces et les Curiaces (Wien 1774 - Paris 1777)
- Renaud et Armide (Milan 1775 - London 1782)
- Apelle et Campaspe (Paris 1776 - Lyon 1787)
- Les Caprices de Galatée (Paris 1776 - London 1789)
- Annette et Lubin (Paris 1778)
- Les Petits Riens (Paris 1778) (mus. Wolfgang Amadeus Mozart e al.)
- Les Amours d'Énée et de Didon (Lyon 1781)
- La Fête du Sérail (Paris 1788)
- L'Amour et Psyché (London 1788) (mus. Jean-Joseph Rodolphe)
- La Fête de Tempé (London 1788)
- Admète (London 1789)
- La Bergère des Alpes (London 1794)
- La Vittoria (London 1794)
- Windsor Castle (London 1795)
Read more about this topic: Jean-Georges Noverre
Famous quotes containing the words major and/or works:
“Self-esteem evolves in kids primarily through the quality of our relationships with them. Because they can’t see themselves directly, children know themselves by reflection. For the first several years of their lives, you are their major influence. Later on, teachers and friends come into the picture. But especially at the beginning, you’re it with a capital I.”
—Stephanie Martson (20th century)
“Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.”
—bell hooks (b. c. 1955)