Career in Russia
Le Blond did much in a short time to extend the Le Nôtre style beyond France. His cascade at Saint-Cloud may have convinced Peter the Great: in March 1716, Le Blond accepted the tsar's invitation to work at Saint Petersburg, where he arrived in August. An unprecedented title of "Architect-General" was bestowed upon him, together with a pension of some 5,000 roubles. His position was superior to that of all other architects and builders working in St. Petersburg.
Within a short span of his stay there, Le Blond established the first nurseries along the banks of the Neva and about twenty workshops, specializing in carving, sculpture, stucco work, tapestries, and so forth. He also succeeded in introducing a program of illuminating the main streets with oil lanterns, designed by himself. The architect died suddenly of smallpox in 1719. The tsar himself was present at the funeral, but Le Blond's grave at the St. Sampson cemetery has not survived.
Among his Russian projects, probably the best known is an idealistic plan which envisioned Vasilievsky Island as the focus of the new city. Le Blond's plan would have "enclosed the entire city within a perfectly elliptical wall of fortifications", with a network of streets at right angles and squares like the royal squares of France, but the project was not approved. Nor were his projects for the parterres of the Summer Garden and a residence for the tsar at Strelna (1717). Three centuries passed before Le Blond's design for a formal garden at Strelna was eventually implemented during the reconstruction of the Constantine Palace in 2003.
Le Blond's main building work in St. Petersburg was a palace of Count Apraksin. Although foreign visitors admitted that "even a king would have been jealous of such a noble dwelling," the palace was eventually demolished to make room for the Winter Palace, which now occupies the site. Working with Friedrich Braunstein and Niccolo Michetti, the French architect also made many structural changes to the first palace and cascades of Peterhof (1717) for which none of his drawings survive, but which are known through copies made by J.E. Randahl, 1739.
Read more about this topic: Jean-Baptiste Alexandre Le Blond
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