Jazz hands in performance dance is the extension of a performer's hands with palms toward the audience and fingers splayed. It is commonly associated with especially exuberant types of performance such as musicals, cheerleading, show choir, revue, and especially jazz dance shows. In cheerleading, the position with arms outstretched and fingers wiggling up and down is sometimes referred to as spirit fingers or jazz fingers. Depending on the performance venue, both gestures can be associated with campiness.
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Famous quotes containing the words jazz and/or hands:
“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)
“Since there’s no help, come let us kiss and part;
Nay, I have done, you get no more of me,
And I am glad, yea, glad with all my heart
That thus so cleanly I myself can free;
Shake hands for ever, cancel all our vows,
And when we meet at any time again,
Be it not seen in either of our brows
That we one jot of former love retain.”
—Michael Drayton (1563–1631)