Production
The film was initially supposed to feature Mandira Bedi in the lead role, though she was later left out due to unknown reasons. Priyanka Kothari made her debut in the film under the stage name of Amogha, while the film also marked the debut of another heroine, Pooja, who had already signed up to feature in Jeeva's Ullam Ketkumae at the time. Thappu Thaalangal Sunderraj, a popular Kannada actor, returned to the Tamil screen after a gap of 15 years, while Ceylon Manohar also too returned to acting after 23 years and played the main villain here. Malavika Avinash of Anni fame and Giri from the Sahana serial also made their entry into the big screen, with Giri playing the role of Madhavan's friend. Bengali actress Sharmila Ghosh was also in the cast. Reemma Sen, shot at the Vishakapatnam Railway Station with 40 models from Mumbai for a song in the film. The song was the first venture of Suchitra as a playback singer.
Read more about this topic: Jay Jay
Famous quotes containing the word production:
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)