Jay Jay - Production

Production

The film was initially supposed to feature Mandira Bedi in the lead role, though she was later left out due to unknown reasons. Priyanka Kothari made her debut in the film under the stage name of Amogha, while the film also marked the debut of another heroine, Pooja, who had already signed up to feature in Jeeva's Ullam Ketkumae at the time. Thappu Thaalangal Sunderraj, a popular Kannada actor, returned to the Tamil screen after a gap of 15 years, while Ceylon Manohar also too returned to acting after 23 years and played the main villain here. Malavika Avinash of Anni fame and Giri from the Sahana serial also made their entry into the big screen, with Giri playing the role of Madhavan's friend. Bengali actress Sharmila Ghosh was also in the cast. Reemma Sen, shot at the Vishakapatnam Railway Station with 40 models from Mumbai for a song in the film. The song was the first venture of Suchitra as a playback singer.

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Famous quotes containing the word production:

    I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.
    Charles Darwin (1809–1882)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)