Jaws: The Revenge - Production

Production

Joseph Sargent produced and directed the film. He had worked with Lorraine Gary in 1969's The Marcus-Nelson Murders, for which he won his first Directors Guild of America Award. Indeed, Steven Spielberg cites this television movie, that later spawned Kojak, as motivation for casting Gary as Ellen Brody in the original Jaws film, besides the fact she was the wife of the chief executive of the studio at that time.

Jaws: The Revenge was filmed on location in New England and in The Bahamas, and completed on the Universal lot. Like the first two films of the series, Martha's Vineyard was the location of the fictional Amity Island for the opening scenes of the film. Production commenced on February 2, 1987, by which time "snowstorms had blanketed" the island for almost a month, "providing a frosty backdrop for the opening scenes."

In addition to the 124 cast and crew members, 250 local extras were also hired. The majority of the extras were used as members of the local high school band, chorus and dramatic society that can be seen as the Brodys walk through the town, and during Sean's attack. A local gravestone maker produced 51 slabs for the mock graveyard used for Sean's funeral.

The cast and crew moved to Nassau in The Bahamas on February 9, beginning principal photography there the next day. Like the production of the first two films, they encountered many problems with varying weather conditions. The location did not offer the "perfect world" that the 38-day shoot required. Cover shots were filmed on shore and in interior sets. The film was shot in the Super 35 format.

Read more about this topic:  Jaws: The Revenge

Famous quotes containing the word production:

    By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.
    Friedrich Engels (1820–1895)

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)

    The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.
    Karl Marx (1818–1883)