Works
Other works by Sparks include:
- Memoirs of the Life and Travels of John Ledyard (1828)
- The Diplomatic Correspondence of the American Revolution (12 vols, 1829–1830; redated 1854)
- Life of Gouverneur Morris, with Selections from his Correspondence and Miscellaneous Papers (3 vols, 1832)
- A Collection of the Familiar Letters and Miscellaneous Papers of Benjamin Franklin (1833)
- The Works of Benjamin Franklin; with Notes and a Life of the Author (10 vols, 1836–1840; redated 1850), a work second in scope and importance to his Washington
- Correspondence of the American Revolution; being Letters of Eminent Men to George Washington, from the Time of his taking Command of the Army to the End of his Presidency (4 vols, 1853)
He also edited the Library of American Biography, in two series (10 and 15 vols respectively, 1834–1838, 1844–1847), to which he contributed the lives of Anthony Wayne, Henry Vane the Younger, Ethan Allen, Benedict Arnold, Marquette, La Salle, Count Pulaski, Jean Ribault, Charles Lee and John Ledyard, the last a reprint of his earlier work.
In addition, he aided Henry D Gilpin in preparing an edition of the Papers of James Madison (1840), and brought out an American edition of William Smyth's Lectures on Modern History (2 vols., 1841), which did much to stimulate historical study in the United States.
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Famous quotes containing the word works:
“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
—Herman Melville (1819–1891)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“To receive applause for works which do not demand all our powers hinders our advance towards a perfecting of our spirit. It usually means that thereafter we stand still.”
—G.C. (Georg Christoph)