Japanese Space Program
Reaching for the skies, exploring space |
|
| Owner | Japan |
|---|---|
| Established | 1 October 2003 (Successor agency to NASDA 1969–2003, ISAS 1981–2003 and NAL 1955–2003) |
| Headquarters | Chōfu, Tokyo |
| Primary spaceport | Tanegashima Space Center |
| Motto | One JAXA |
| Administrator | Keiji Tachikawa |
| Budget | ¥229 billion/ $2.46 billion (FY2010) |
| Website | www.jaxa.jp |
The Japan Aerospace Exploration Agency (独立行政法人宇宙航空研究開発機構, Dokuritsu-gyōsei-hōjin Uchū Kōkū Kenkyū Kaihatsu Kikō?, literally "Independent Administrative Institution on Aerospace Research and Development "), or JAXA, is Japan's national aerospace agency. Through the merger of three previously independent organizations, JAXA was formed on 1 October 2003. JAXA is responsible for research, technology development and the launch of satellites into orbit, and is involved in many more advanced missions, such as asteroid exploration and possible manned exploration of the Moon. Its motto is One JAXA and its corporate slogan is Reaching for the skies, exploring space.
Read more about Japanese Space Program: History, Rockets, Successes, Lunar and Interplanetary Missions, Astronomy Program, Technology Tests, Earth Observation Programme, Satellites For Other Agencies, Other JAXA Satellites Currently in Use, Finished Missions, Future Missions, Human Space Program, Supersonic Aircraft Development, Reusable Launch Vehicles, Research Centers and Offices, Other Space Agencies in Japan
Famous quotes containing the words japanese, space and/or program:
“The Japanese are, to the highest degree, both aggressive and unaggressive, both militaristic and aesthetic, both insolent and polite, rigid and adaptable, submissive and resentful of being pushed around, loyal and treacherous, brave and timid, conservative and hospitable to new ways.”
—Ruth Benedict (18871948)
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone elses style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (19001993)
“On our streets it is the sight of a totally unknown face or figure which arrests the attention, rather than, as in big cities, the strangeness of occasionally seeing someone you know.”
—For the State of Vermont, U.S. public relief program (1935-1943)