Landscape Painting and The Zen Garden
The influence of Zen on garden design was probably first described as such by Kuck in the early 20th century and disputed by Kuitert by the end of that century. What is not disputed is the fact that karesansui garden scenery was and still is inspired by or based on first Chinese and later also Japanese landscape paintings.
Though each garden is different in its composition, they mostly use rock groupings and shrubs to represent a classic scene of mountains, valleys and waterfalls taken from Chinese landscape painting. In some of them the view also incorporates existing scenery, e.g. the hills behind, as "borrowed scenery" (using a technique called Shakkei).
Today, ink monochrome painting still is the art form most closely associated with Zen Buddhism. A primary design principle was the creation of a landscape based on, or at least greatly influenced by, the three-dimensional monochrome ink (sumi) landscape painting, sumi-e or suiboku-ga. In Japan the garden has the same status as a work of art.
Read more about this topic: Japanese Rock Garden
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“If the fairest features of the landscape are to be named after men, let them be the noblest and worthiest men alone. Let our lakes receive as true names at least as the Icarian Sea, where “still the shore” a “brave attempt resounds.””
—Henry David Thoreau (1817–1862)
“Painting gives the object itself; poetry what it implies. Painting embodies what a thing contains in itself; poetry suggests what exists out of it, in any manner connected with it.”
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