Works
Using allusions, humor and eroticism, much of Rebibo's poetry shows how relationships are shaped by language, culture, religion, and politics. Her first Hebrew poems appeared in 1984 in the literary supplement of the Hebrew language newspaper Davar on the recommendation of Israeli poet Haim Gouri. Since then, Rebibo’s poems and short stories have appeared frequently in Israel's literary pages and journals and four books of her Hebrew poetry have been published and characterized in the press as a bold blend of two rich poetic traditions. Zara in Zion: Collected Poems 1984-2006 by Janice Rebibo, published in 2007, includes Hebrew poetry from her three earlier books and new work previously published in Israel's literary journals, as well as a chapter entitled Zion by Itself containing poems Rebibo has written in English. Rebibo has translated Hebrew poetry into English, notably for poet Natan Yonatan. Her poems have been set to music and recorded. Hazman Ozel (time is running out), music by Gidi Koren, was released in 2009 by NMC on a live performance DVD by The Brothers and The Sisters. She has also collaborated with composers on texts and librettos. Here Comes Messiah!, a monodrama for soprano and chamber orchestra by Matti Kovler, libretto by Janice Silverman Rebibo and Matti Kovler, was premiered at Carnegie Hall with soprano, Tehila Nini Goldstein, on May 9, 2009 at the Osvaldo Golijov and Dawn Upshaw Young Artists Concert. Rebibo has edited and translated prose for novelist, Yizhar Smilansky (S. Yizhar), Toronto filmmaker Avi Lev, Prof. Moshe Bar-Asher at the Academy of the Hebrew Language, and for other leading Israelis in literary criticism, linguistics, business, and technology.
In addition to her literary work, Janice Rebibo directed an innovative school-pairing program to promote tolerance, friendship, and cooperation in Israeli society and serves as SPO at a non-profit for the advancement of Hebrew language teaching and learning in North America.
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Famous quotes containing the word works:
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)
“The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
—William James (1842–1910)