Film
Krakowski made her film debut in National Lampoon's Vacation. She has also appeared in Fatal Attraction, The Flintstones in Viva Rock Vegas (where she played Betty Rubble), Marci X, Alfie, Go, Cirque du Freak: The Vampire's Assistant, Dance with Me, Stepping Out, Pretty Persuasion, Kit Kittredge: An American Girl, and Mom at Sixteen. Krakowski was originally cast in the horror film Sleepaway Camp, but dropped out just before filming began because she felt her character's death scene with a curling iron was too violent. She appeared in When Zachary Beaver Came to Town as a mother who wants to become a singer. In 2004, she starred in Alan Menken's TV movie version of A Christmas Carol, featured as The Ghost of Christmas Past. In 2006, she provided voice acting talents as the deer Giselle in the Sony animated film Open Season.
Read more about this topic: Jane Krakowski
Famous quotes containing the word film:
“Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
Their little knowledge bringing them nearer to their ignorance,
Ignorance bringing them nearer to death,
But nearness to death no nearer to God.”
—Sean O’Casey (1884–1964)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)