Jane Austen In Popular Culture
The author Jane Austen, as well as her works, have been represented in popular culture in a variety of forms.
Jane Austen (16 December 1775 – 18 July 1817) was an English novelist whose social commentary and masterful use of both free indirect speech and irony eventually made her one of the most influential and honored novelists in English literature. In popular culture, Austen's novels and her personal life have been adapted into film, television, and theater, with different adaptations varying greatly in their faithfulness to the original.
Read more about Jane Austen In Popular Culture: Pride and Prejudice, Other References, Bibliography
Famous quotes containing the words popular culture, jane austen, jane, austen, popular and/or culture:
“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
“The truth is, that in London it is always a sickly season. Nobody is healthy in London, nobody can be.”
—Jane Austen (1775–1817)
“If the veil were withdrawn from the sanctuary of domestic life, and man could look upon the fear, the loathing, the detestations which his tyranny and reckless gratification of self has caused to take the place of confiding love, which placed a woman in his power, he would shudder at the hideous wrong of the present regulations of the domestic abode.”
—Lydia Jane Pierson, U.S. women’s rights activist and corresponding editor of The Woman’s Advocate. The Woman’s Advocate, represented in The Lily, pp. 117-8 (1855-1858 or 1860)
“It is not time or opportunity that is to determine intimacy;Mit is disposition alone. Seven years would be insufficient to make some people acquainted with each other, and seven days are more than enough for others.”
—Jane Austen (1775–1817)
“The poet will prevail to be popular in spite of his faults, and in spite of his beauties too. He will hit the nail on the head, and we shall not know the shape of his hammer. He makes us free of his hearth and heart, which is greater than to offer one the freedom of a city.”
—Henry David Thoreau (1817–1862)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)