Critical and Audience Reception
At the opening night performance, the majority of the audience showed their disappointment. During the second act, Barrie and Doyle left their private box. Ford was applauded for his music, but the audience did not call for the authors. "Towards the end it became more and more apparent that the audience were getting rather bored, and the final verdict... was far from enthusiastic."
The critics generally condemned the opera, calling the authors to task for a boring story and criticising Ford for his highly derivative score. The Stage wrote that, "Dramatically, Jane Annie is simply a sketch of schoolgirl caprice and persistent waywardness". The paper lamented that the opera was funnier to read than to see on stage. The Times had a more favourable view of the piece. The cast and crew were praised by some critics for their efforts at working such unworthy parts. "However hard worked, she remained thoroughly embarrassed by the whole thing. As curtain-calls were being taken, she refused to come out of her dressing-room, though pit and gallery shouted for her for five minutes; and when at length the piece was taken on tour, she absolutely refused to go with it."
Read more about this topic: Jane Annie
Famous quotes containing the words critical, audience and/or reception:
“Productive collaborations between family and school, therefore, will demand that parents and teachers recognize the critical importance of each others participation in the life of the child. This mutuality of knowledge, understanding, and empathy comes not only with a recognition of the child as the central purpose for the collaboration but also with a recognition of the need to maintain roles and relationships with children that are comprehensive, dynamic, and differentiated.”
—Sara Lawrence Lightfoot (20th century)
“There are some who speak well and write badly. For the place and the audience warm them, and draw from their minds more than they think of without that warmth.”
—Blaise Pascal (16231662)
“Satire is a sort of glass, wherein beholders do generally discover everybodys face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (16671745)