Literature and Anthology
During his six-year stay in Hispanic America he completed his most famous book The Autobiography of an Ex-Colored Man, which was published anonymously in 1912. It was only during 1927 that Johnson admitted his authorship, stressing that it was not a work of autobiography but mostly fictional. His other works include The Book of American Negro Spirituals (1925), Black Manhattan (1930), his exploration of the contribution of African-Americans to the culture of New York, and Negro Americans, What Now? (1934), a book advocating civil rights for African Americans. Johnson was also an anthologist. His anthologies concerned African-American themes and were part of the Harlem Renaissance of the 1920s and 1930s. He also wrote the melody for the song "Dem Bones".
Read more about this topic: James Weldon Johnson
Famous quotes containing the words literature and, literature and/or anthology:
“Views of women, on one side, as inwardly directed toward home and family and notions of men, on the other, as outwardly striving toward fame and fortune have resounded throughout literature and in the texts of history, biology, and psychology until they seem uncontestable. Such dichotomous views defy the complexities of individuals and stifle the potential for people to reveal different dimensions of themselves in various settings.”
—Sara Lawrence Lightfoot (20th century)
“In literature the ambition of the novice is to acquire the literary language: the struggle of the adept is to get rid of it.”
—George Bernard Shaw (18561950)
“Youve strung your breasts
with a rattling rope of pearls,
tied a jangling belt
around those deadly hips
and clinking jewelled anklets
on both your feet.
So, stupid,
if you run off to your lover like this,
banging all these drums,
then why
do you shudder with all this fear
and look up, down;
in every direction?”
—Amaru (c. seventh century A.D.?, Kashmirian king, compiler, author of some of the poems in the anthology which bears his name. translated from the Amaruataka by Martha Ann Selby, vs. 31, Motilal Banarsidass (1983)