Writing
Reaney's complex symbolic and poetic regional drama defies categorizing. Reaney’s plays are a combination of symbol, metaphor, chant, poetic incantation, choral speaking, improvisation, miming, and child play. Reaney depends on the concept that we, the audience, are all “children of an older growth” and his audience have responded to this expectation. The symbolic quest as the children search for truth and end in reconciliation with the adult world are the basis of Reaney’s plays. Critics have called him a colonial, a rationalist and internationalist, a rabid nationalist, a symbolist, and a poet with the myth of coherence who is yet able to say something in an age of the random.
Of his poetry, The Canadian Encyclopedia says: "Reaney's poetry, collected in Poems (1972), has earned him a reputation as an erudite poet at once deriving structures from metaphor, mythology, and a cosmopolitan literary tradition while deeply rooted in a regional sense of place."
Reaney's fiction of the 1940s and 1950s (collected in the 1994 book The Box Social and Other Stories, was "influential in establishing the style of writing that has since become known as ‘Southern Ontario Gothic’. Margaret Atwood has remarked that ‘without “The Bully”, my fiction would have followed other paths'.... Playing sophisticated games by switching voice, he achieves a kind of ‘magic realism’, often through the distorted perspective and sense of disproportion of his child narrators."
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Famous quotes containing the word writing:
“Such writing is a sort of mental masturbation.... I don’t mean that he is indecent but viciously soliciting his own ideas into a state which is neither poetry nor anything else but a Bedlam vision produced by raw pork and opium.”
—George Gordon Noel Byron (1788–1824)
“... writing is the enemy of forgetfulness, of thoughtlessness. For the writer there is no oblivion. Only endless memory.”
—Anita Brookner (b. 1928)
“Hidden away amongst Aschenbach’s writing was a passage directly asserting that nearly all the great things that exist owe their existence to a defiant despite: it is despite grief and anguish, despite poverty, loneliness, bodily weakness, vice and passion and a thousand inhibitions, that they have come into being at all. But this was more than an observation, it was an experience, it was positively the formula of his life and his fame, the key to his work.”
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