Public Life and Views
In media appearances, Ellroy has adopted an outsized, stylized public persona of hard-boiled nihilism and self-reflexive subversiveness. He frequently begins public appearances with a monologue such as:
Good evening peepers, prowlers, pederasts, panty-sniffers, punks and pimps. I'm James Ellroy, the demon dog, the foul owl with the death growl, the white knight of the far right, and the slick trick with the donkey dick. I'm the author of 16 books, masterpieces all; they precede all my future masterpieces. These books will leave you reamed, steamed and drycleaned, tie-dyed, swept to the side, true-blued, tattooed and bah fongooed. These are books for the whole fuckin' family, if the name of your family is Manson.
Another aspect of his public persona involves an almost comically grand assessment of his work and his place in literature. For example, he told the New York Times, "I am a master of fiction. I am also the greatest crime novelist who ever lived. I am to the crime novel in specific what Tolstoy is to the Russian novel and what Beethoven is to music."
Ellroy frequently has espoused conservative political views, which have ranged from a vague anti-liberalism to authoritarianism. In an October 15, 2009, Rolling Stone interview, Ellroy said that in the 1960s and 1970s "I was never a peacemaker; I was a fuck-you right-winger." He has also been an outspoken and unquestioning admirer of the Los Angeles Police Department, and he dismisses the department's flaws as aberrations, telling the National Review that the coverage of the Rodney King beating and Rampart police scandals were overblown by a biased media. Nevertheless, like other aspects of his persona, he often deliberately obscures where his public persona ends and his actual views begin. When asked about his "right-wing tendencies," he told an interviewer, "Right-wing tendencies? I do that to fuck with people." Similarly, in the film Feast of Death, his (now ex-) wife describes his politics as "bullshit," an assessment to which Ellroy responds only with a knowing smile. Privately, Ellroy opposes the death penalty and favors gun control. Of the current political environment, Ellroy told Rolling Stone in 2009:
I thought Bush was a slimeball and the most disastrous American president in recent times. I voted for Obama. He's a lot like Jack Kennedy—they both have big ears and infectious smiles. But Obama is a deeper guy. Kennedy was an appetite guy. He wanted pussy, hamburgers, booze. Jack did a lot of dope.
Structurally, several of Ellroy's books, such as The Big Nowhere, L.A. Confidential, American Tabloid, and The Cold Six Thousand, have three disparate points of view through different characters, with chapters alternating between them. Starting with The Black Dahlia, Ellroy's novels have mostly been historical dramas about the relationship between corruption and law enforcement.
A predominant theme of Ellroy's work is the myth of "closure". "Closure is bullshit", Ellroy often remarks, "and I would love to find the man who invented closure and shove a giant closure plaque up his ass."
Ellroy has claimed that he is done writing noir crime novels. "I write big political books now," he says. "I want to write about LA exclusively for the rest of my career. I don't know where and when."
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