Early Life and Career
Born James Emil Coco in New York City, son of Feliche Coco, a shoemaker and Ida Detestes Coco, James began acting straight out of high school. As an overweight and prematurely balding adult, he found himself relegated to character roles. He made his Broadway debut in Hotel Paradiso in 1957, but his first major recognition was for Off-Broadway's The Moon in Yellow River, for which he won an Obie Award. For the next several years he worked steadily in commercials and on stage with emerging talents like Robert Drivas, Gene Hackman, Doris Roberts and Brenda Vaccaro and established stars such as Eileen Heckart, Jason Robards, Christopher Plummer, and Roddy McDowall.
Coco's first collaboration with playwright Terrence McNally was a 1968 off Broadway double-bill of the one-act plays Sweet Eros and Witness, followed by Here's Where I Belong, a disastrous Broadway musical adaptation of East of Eden that closed on opening night. They had far greater success with their next project, Next, which ran for more than 700 performances and won Coco the Drama Desk Award for Outstanding Performance. Sixteen years later, the two would reunite for the Manhattan Theatre Club production of It's Only a Play.
Coco also achieved success with Neil Simon, who wrote The Last of the Red Hot Lovers (1969) specifically for him. It won him a Tony Award nomination as Best Actor in a Play. The two later joined forces for a Broadway revival of the musical Little Me and the films Murder By Death, The Cheap Detective, and Only When I Laugh, for which he was Oscar-nominated.
Read more about this topic: James Coco
Famous quotes containing the words early life, early, life and/or career:
“Many a woman shudders ... at the terrible eclipse of those intellectual powers which in early life seemed prophetic of usefulness and happiness, hence the army of martyrs among our married and unmarried women who, not having cultivated a taste for science, art or literature, form a corps of nervous patients who make fortunes for agreeable physicians ...”
—Sarah M. Grimke (1792–1873)
“I looked at my daughters, and my boyhood picture, and appreciated the gift of parenthood, at that moment, more than any other gift I have ever been given. For what person, except one’s own children, would want so deeply and sincerely to have shared your childhood? Who else would think your insignificant and petty life so precious in the living, so rich in its expressiveness, that it would be worth partaking of what you were, to understand what you are?”
—Gerald Early (20th century)
“But the divinest poem, or the life of a great man, is the severest satire.... The greater the genius, the keener the edge of the satire.”
—Henry David Thoreau (1817–1862)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)