Selected Filmography
| Year | Title | Role | Director |
|---|---|---|---|
| 1974 | And Now My Love | a spectator | Claude Lelouch |
| 1975 | Serious as Pleasure | the policeman | Robert Benayoun |
| The Common Man (film) | Gérald | Yves Boisset | |
| 1976 | The Good and the Bad | Simon | Claude Lelouch |
| If I Had to Do It All Over Again | the real estate broker | Claude Lelouch | |
| 1977 | Another Man, Another Chance | a customer | Claude Lelouch |
| 1978 | Robert et Robert | Robert Villiers | Claude Lelouch |
| Mon premier amour | Jacques Labrousse | Elie Chouraqui | |
| 1979 | Us Two | Uncle Musique | Claude Lelouch |
| 1981 | Malevil | Momo | Christian de Chalonge |
| Les Uns et les Autres | Jacques | Claude Lelouch | |
| La Soupe aux choux | the Alien | Jean Girault | |
| 1983 | Danton | François Joseph Westermann | Andrzej Wajda |
| Édith et Marcel | Jacques Barbier | Claude Lelouch | |
| First Name: Carmen | the man at the petrol station | Jean-Luc Godard | |
| Waiter! | Gilbert | Claude Sautet | |
| 1984 | Les Morfalous | Béral | Henri Verneuil |
| 1985 | Hold-Up | Jérémie Planchet | Alexandre Arcady |
| 1987 | L'été en pente douce | Maurice Leheurt, called Mo | Gérard Krawczyk |
| Keep Your Right Up | a man | Jean-Luc Godard | |
| 1991 | The Favour, the Watch and the Very Big Fish | Charles, the lingerie expert | Ben Lewin |
| Mayrig | Alexandre | Henri Verneuil | |
| 1992 | 588, rue Paradis | ||
| Le Batteur Du Boléro | the drummer | Patrice Leconte | |
| 1998 | Le Dîner de Cons (film) | François Pignon | Francis Veber |
| 1999 | The Children of the Marshland | Riton | Jean Becker |
| 2001 | A Crime in Paradise | Jojo Braconnier | Jean Becker |
| Un aller simple | Jean-Pierre | Laurent Heynemann | |
| 2004 | Malabar Princess | Gaspard | Gilles Legrand |
Read more about this topic: Jacques Villeret
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“There is no reason why parents who work hard at a job to support a family, who nurture children during the hours at home, and who have searched for and selected the best [daycare] arrangement possible for their children need to feel anxious and guilty. It almost seems as if our culture wants parents to experience these negative feelings.”
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