Jacqueline Wilson - Style

Style

Wilson's stories have greater choice than most children's books, including such difficult topics as abuse, grief, divorce, foster care and mental illness. Her prose is often interspersed with ink drawings by illustrator Nick Sharratt, who also designs the covers for her books.

She usually writes first person narrative but has occasionally experimented with alternating viewpoints, as in Secrets, The Lottie Project, Little Darlings and Double Act.

She says: " I want to write to every age group, in a way that can prepare them for what happens in the real world, and raise the awareness levels of many life changing situations. I want to be a friend, really."

Wilson, Melvin Burgess, and others have made "social realism" fashionable, Julia Eccleshare wrote in 2001 obituary of Winifred Cawley. Simply to feature "children from less affluent homes" had been almost unknown in the 1950s —when Wilson was a child reader.

Read more about this topic:  Jacqueline Wilson

Famous quotes containing the word style:

    A cultivated style would be like a mask. Everybody knows it’s a mask, and sooner or later you must show yourself—or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind.... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.
    Katherine Anne Porter (1890–1980)

    The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.
    Helen Hayes (1900–1993)

    The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?
    Dame Ethel Smyth (1858–1944)