Acting Career
In 1949, Elam made his debut in She Shoulda Said No!, an exploitation film where a chorus girl's marijuana smoking ruins her career and drives her brother to suicide. He appeared mostly in westerns and gangster films playing villains. In 1961, Elam played a slightly crazed character in an episode of The Twilight Zone, "Will the Real Martian Please Stand Up?".
In 1963, he got a rare chance to play the good guy when he played the part of Deputy Marshal J.D. Smith in The Dakotas, a TV western that ran for only nineteen episodes. He played an eccentric sidekick to John Wayne in Howard Hawks's Rio Lobo (1970). Elam was given his first comedic role in Support Your Local Sheriff!, after which he found his villainous assignments dwindling and his comic roles increasing.
In 1985 Elam played as Charlie in The Aurora Encounter. During this film Elam made a lifelong relationship with a 11-year-old boy named Mickey Hays, who suffered from progeria. As shown in the documentary I Am Not A Freak viewers see how close Elam and Hays really were. Elam said, "You know I've met a lot of people, but I've never met anybody that got next to me like Mickey."
In 1994, Elam was inducted into the Hall of Great Western Performers of the National Cowboy and Western Heritage Museum.
Elam classified the stages of a moderately successful actor's life, as defined by the way a film director refers to the actor suggested for a part. (He said this on a George Plimpton ABC documentary about the making of Rio Lobo.) This humorous quote has also been attributed to other actors and writers, such as Harvey Miller, Ricardo Montalban, and Mary Astor:
- Stage 1: "Who is Jack Elam?"
- Stage 2: "Get me Jack Elam."
- Stage 3: "I want a Jack Elam type."
- Stage 4: "I want a younger Jack Elam."
- Stage 5: "Who is Jack Elam?"
Read more about this topic: Jack Elam
Famous quotes containing the words acting and/or career:
“Blessed be the inventor of photography! I set him above even the inventor of chloroform! It has given more positive pleasure to poor suffering humanity than anything else that has cast up in my time or is like tothis art by which even the poor can possess themselves of tolerable likenesses of their absent dear ones. And mustnt it be acting favourably on the morality of the country?”
—Jane Welsh Carlyle (18011866)
“Clearly, society has a tremendous stake in insisting on a womans natural fitness for the career of mother: the alternatives are all too expensive.”
—Ann Oakley (b. 1944)