J. Richard Gott - Copernicus Method and Doomsday Theory

Copernicus Method and Doomsday Theory

Gott first thought of his "Copernicus method" of lifetime estimation in 1969 when stopping at the Berlin Wall and wondering how long it would stand. Instead of extrapolating a set of developments in world geo-politics (futurology), Gott used his relative ignorance to his advantage by saying that the Copernican principle is applicable in cases where nothing is known; unless there was something special about his visit (which he didn't think there was) this gave a 75% chance that he was seeing the wall after the first quarter of its life. Based on its age in 1969 (8 years), Gott left the wall with 75% confidence that it wouldn't be there in 1993 (1961 + (8/0.25)).

In fact, the wall was brought down in 1989, and 1993 was the year in which Gott applied his "Copernicus method" to the lifetime of the human race. His paper in Nature was the first to apply the Copernican principle to the survival of humanity; His original prediction gave 95% confidence that the human race would last for between 5100 and 7.8 million years. (Brandon Carter's alternative form of the Doomsday argument was delivered earlier that year, but Gott's derivation was independent.)

He made a major effort subsequently to defend his form of the Doomsday argument from a variety of philosophical attacks, and this debate (like the feasibility of closed time loops) is still ongoing. To popularize the Copernicus method, Gott gave The New Yorker magazine a 95% confidence interval for the closing time of forty-four Broadway and Off Broadway productions based only on their opening dates. He was more or less 95% correct.

Read more about this topic:  J. Richard Gott

Famous quotes containing the words method, doomsday and/or theory:

    One of the grotesqueries of present-day American life is the amount of reasoning that goes into displaying the wisdom secreted in bad movies while proving that modern art is meaningless.... They have put into practise the notion that a bad art work cleverly interpreted according to some obscure Method is more rewarding than a masterpiece wrapped in silence.
    Harold Rosenberg (1906–1978)

    Even an attorney of moderate talent can postpone doomsday year after year, for the system of appeals that pervades American jurisprudence amounts to a legalistic wheel of fortune, a game of chance, somewhat fixed in the favor of the criminal, that the participants play interminably.
    Truman Capote (1924–1984)

    There is in him, hidden deep-down, a great instinctive artist, and hence the makings of an aristocrat. In his muddled way, held back by the manacles of his race and time, and his steps made uncertain by a guiding theory which too often eludes his own comprehension, he yet manages to produce works of unquestionable beauty and authority, and to interpret life in a manner that is poignant and illuminating.
    —H.L. (Henry Lewis)