Work
Apart from Dolores (1911), a traditional novel she later rejected as something "one wrote as a girl", Compton-Burnett's fiction deals with domestic situations in large households which, to all intents and purposes, invariably seem Edwardian. The description of human weaknesses and foibles of all sorts pervades her work, and the family that emerges from each of her novels must be seen as dysfunctional in one way or another. Starting with Pastors and Masters (1925), Compton-Burnett developed a highly individualistic style. Her fiction relies heavily on dialogue and demands constant attention on the reader's part: there are instances in her work where important information is casually mentioned in a half sentence. Her use of punctuation is deliberately perfunctory: there are no colons or semi-colons, no exclamation marks, no italics.
Read more about this topic: Ivy Compton-Burnett
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“Again and again, faith in a possible satisfaction of the human race breaks through at the very moments of most zealous discord because humankind will never be able to live and work without this consoling delusion of its ascent into morality, without this dream of final and ultimate accord.”
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