Academy of Arts
In 1757, Shuvalov submitted to the Senate his project for establishing the Academy of Three Noble Arts at his own palace in Saint Petersburg. This institution – later transformed into the Imperial Academy of Arts – was envisioned by him for the education of the most gifted boys from all strata of society. At first no formal examination was required to enter the Academy; even peasants' children – like Fyodor Rokotov and Fedot Shubin – were admitted on Shuvalov's personal recommendation.
Shuvalov served as the Academy's first president until 1763, when he was succeeded by Ivan Betskoy. In 1758, he donated to the Academy his own collection of Western drawings and paintings, which formed the nucleus of its formidable holdings of fine art. At the time, his palace also hosted performances by Russia's first theatrical troupe, led by Fyodor Volkov and Ivan Dmitrievsky.
Upon Elizaveta's death and the ascension of Catherine II, Shuvalov set off for Europe, ostensibly with the purpose of improving his frail health. During fourteen years of foreign travels, he acquired choice works of art for the Academy and the Hermitage Museum. He also commissioned copies of the finest Roman sculptures in Rome, Florence and Naples and later presented these to the Academy of Arts.
Read more about this topic: Ivan Shuvalov
Famous quotes containing the words academy and/or arts:
“...I have come to make distinctions between what I call the academy and literature, the moral equivalents of church and God. The academy may lie, but literature tries to tell the truth.”
—Dorothy Allison (b. 1949)
“Women hock their jewels and their husbands’ insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.”
—John Dos Passos (1896–1970)