Personality and World View
Cankar was a relatively fragile personality, both emotionally and physically, but showed an unusually strong and persistent intellectual vigour. He was a sharp thinker, who was able of poignant criticism of both his environment and himself. He was also full of paradoxes and loved irony and sarcasm. He was an unusually sentimental and somehow ecstatic nature, intensely sensitive to ethical issues. He was very introspective: his works, which are to a large extent autobiographic, became famous for the ruthless analysis of his own deeds and misdeeds.
Cankar was raised as a Roman Catholic. In his high school years, he became a typical liberal freethinker. He rejected the religious dogmas and embraced the rational explanations provided by contemporary natural and social sciences. Between 1898 and 1902, he fell under the influence of the thinkers Ralph Waldo Emerson and Friedrich Nietzsche. In the writings of the Belgian poet Maurice Maeterlinck Cankar found the idea of the existence of a world soul, with which the individual souls are connected and employed it in his own works. Already around 1903, however, he turned to an original, slightly anarchist interpretation of Marxism. His later life was marked by a gradual evolution towards orthodox Christianity, which became evident after 1910 and especially in the last year of his life. Although he never officially rejected his Roman Catholic faith, he was generally considered an agnostic, albeit sympathetic to some elements of traditional Catholic devotion.
Read more about this topic: Ivan Cankar
Famous quotes containing the words personality, world and/or view:
“India is an abstraction.... India is no more a political personality than Europe. India is a geographical term. It is no more a united nation than the Equator.”
—Winston Churchill (18741965)
“The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world of its own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited.”
—Walter Pater (18391894)
“Where has it gone, the lifetime?
Search me. Whats left is drear.
Unchilded and unwifed, Im
Able to view that clear:
So final. And so near.”
—Philip Larkin (19221986)