It's Still A Good Life - Plot

Plot

Anthony Fremont has been terrorizing the residents of the small town of Peaksville for 40 years, still using his telepathic powers to banish those he deems "bad", including his wife and father, to a mythical "cornfield" . His mother, Agnes, is shocked to discover that Anthony's young daughter, Audrey, has inherited those powers. This discovery is soon followed by one even more shocking: Audrey can bring back things that her father has banished to the cornfield.

With this realization, Agnes tries to influence her granddaughter to use her powers in order to free Peaksville from Anthony's reign of terror. When Anthony learns of his mother's plans he seeks out each co-conspirator one by one, sending them to the cornfield. Agnes finally confronts her son, letting go of all of the emotions that she has suppressed for forty years, and tries to convince Audrey to use her powers against her own father. Audrey is forced to choose between her grandmother and her father, whom she loves very much.

Caught between these two sides, Audrey ultimately aligns herself with her father and she empties the town of Peaksville. Anthony and Audrey are left alone, but Anthony soon realizes that he misses having everyone else around. Audrey then brings the entire world back — not just Peaksville, but everything beyond it. Audrey asks Anthony about visiting New York City, and her father replies that it is a big city with lots of people. Audrey says that they had all better be nice to her and her dad.

The episode ends with Anthony realizing that his daughter is far more powerful than he is, and he seemingly accepts that she has done a "real good thing" by returning the world outside of Peaksville.

Read more about this topic:  It's Still A Good Life

Famous quotes containing the word plot:

    “The plot thickens,” he said, as I entered.
    Sir Arthur Conan Doyle (1859–1930)

    Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.
    Jane Rule (b. 1931)

    But, when to Sin our byast Nature leans,
    The careful Devil is still at hand with means;
    And providently Pimps for ill desires:
    The Good Old Cause, reviv’d, a Plot requires,
    Plots, true or false, are necessary things,
    To raise up Common-wealths and ruine Kings.
    John Dryden (1631–1700)