Plot
A mentally challenged girl is defended by a young man who takes care of pigs. He gets into a fight with the local saloon keeper, prompting the man to get the boy drunk and bribe a priest into marrying the boy to the unfortunate girl. A female teacher arrives in town to teach women how to paint. She uses the young boy as a model and then as a toy for her pleasure. The teacher subsequently takes another lover and abandons the young man, claiming that she was unaware of his marriage. The young boy eventually kills his wife, but his father takes the blame for the crime and confesses his sins before he dies in prison. As a conclusion to this sad movie, the townspeople punish the young boy for what he has done. Typical "film noire" plot of the film is not the main message of the film. The film is about fighting good against evil, and how criticism of government by Petrović reached another level as battle between good, in the character of mentally challenged Goca, and evil, in most of the characters in the film. Other themes that run through the movie are: selfishness, prudence, jealousy, rejection of right values, and the decline of society. The end of the movie shows how easy evil can be spread and infect people who are in touch with it.
Read more about this topic: It Rains In My Village
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)